Sheep and Wool Day at Cotswold AONB, Northleach

My designated weaving corner  in the cafe at the old Prison, Northleach
My designated weaving corner in the cafe at the old Prison, Northleach

I was invited to take part in the first Sheep and Wool Day at Cotswold AONB, which is based at the Old Prison, Northleach.

I took my ‘Portaloom’, a four-shaft floor loom, threaded with a warp, the wool for which was donated by Abbey Home Farm. They keep a flock of Organically-reared Lleyn sheep whose fleece is spun into yarn by the Natural Fibre Company in Launceston, Cornwall. The weft was hand-spun provided by the Northleach Weavers and Spinners group.

I demonstrated weaving different patterns, explaining how the loom worked, and displayed samples of my weaving. I brought a simple home made micro-loom to give Children the chance to try weaving for themselves!

 

The micro-loom!
The micro-loom!

Commendation at Bradford Textile Society Design Competition!

My commendation was in the British Wool Section, for which I entered a Geometric design in monochrome, with two additional development designs. This is the third time I have entered this prestigious competition, which gives students an opportunity to experience a range of types of British Wool. Last year I was an award-winner which led to valuable experiences and opportunities.

Main sample submitted to the competition
Main sample submitted to the competition

Creating my submission for Cambrian Mountains Wool Challenge

DSCF0573
Weaving the upholstery cloth on an old 8 shaft counter march floor loom. This loom came to Bath Spa University from Anglesey. The colours were inspired by the domestic architecture of Reykjavik.

IMG_3155
The pattern is inspired by traditional Icelandic folklore symbols. The wool was supplied undyed by the Cambrian Wool Challenge. It was then dyed to reflect my colour reference by Triskelion yarns.

IMG_3179
The piece for this challenge is a collaboration with Carmarthenshire-based Mick Sheridan, who I worked with to create a simple piece of upholstered furniture to showcase my fabric design. I designed the red section specifically to form the front edge of the piece.

Sampling with yarn from Cambrian Mountains Wool Challenge

Cambrian yarn sample
Cambrian yarn sample

I received my yarn on cones, wound it onto hanks and sent it off to Triskelion to be dyed. I kept back a tiny amount, dyed half with some odd blue dye and did this sampling. I made adjustments to the pattern and tried different setts to produce a good upholstery cloth weight.

I then sent a test piece to Mick Sheridan of M.S. Upholstery for his OK. The plan is for him to use the final fabric to upholster a bench, which will be our collaborative piece for the collection.

Inclusion in the OneWool Online Gallery

This trio of woven pieces, has been successfully nominated for the Campaign for Wool’s online gallery. They are made from British Wool, dyed with natural dyes inspired by the colours of Welsh slate. The weave structure is two layer double-cloth and they have been subjected to ‘controlled’ felting. They were exhibited in conjunction with the International Felt Makers Conference held in Bath.

Welsh Slate 'Family'
Welsh Slate ‘Family’

Sampling for flooring weight woven cloth

Warp and Weft in 2-ply Icelandic wool and Black Welsh Mountain.
Warp and Weft in 2-ply Icelandic wool and Black Welsh Mountain.

Warp number 2 in this project.  Using multiple strands as one end (warp thread) and as one pick (weft pass).

I used 3 strands instead of one thicker one, all going through one heddle and in one dent in the reed. Although the white yarn appeared quite fluffy, it wove without problem to my relief. For a single cloth (as opposed to double-cloth) it was interesting to observe the different feel of the various weave structures; the hopsack giving a thicker and more robust cloth.