Weaving for Beginners for Cotswold Conservation Board

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Stroudwater Textile Trust loaned this four shaft table loom for use on the course
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My four shaft counter balance floor loom, relocated to the visitors centre at the Old Prison, Northleach.

I have just taught my first course, Weaving for Beginners, as part of the Rural Skills Program that Cotswold Conservation Board/AONB offer to ensure that country skills survive.

The course offers hands-on experiences on a range of looms, from the simple rigid heddle and back strap, to a floor loom.

My floor loom has been relocated to the visitors centre where it will be on display and used in the weaving courses. The next course will take place on Saturday, 28th November.

Wool Week at Adam Henson’s Cotswold Farm Park

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Drop-in weaving sessions for children proved popular. They enjoyed being tied in into the simple back strap loom using a rigid heddle.
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This is where my Shetland wool comes from. This real character was happy to have his photo taken!
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This big beast is a Cotswold breed sheep by the name of Claudius. He did not want to look up or interact with me, perhaps that’s why the use of Cotswold wool has declined!
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This little girl stayed for ages and as it was the end of the day she was given the weaving to take home.

I was approached by the Cotswold Farm Park to come and weave with the public during Wool Week. I took several rigid heddle and back strap looms, ready warped up. Within minutes the children were weaving cheerfully and well. I also took a four shaft table loom on loan from Stroudwater Textile Trust for adults that wanted to explore ‘proper’ weaving.

Cambrian Wool Collection in London for Fashion Week

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Sian Lloyd and Jane Ashley at the launch of the Cambrian Wool Collection at London Welsh Centre for London Fashion Week 2015
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The launch of the Cambrian Wool Collection at London Welsh Centre for London Fashion Week 2015

The bench upholstered with my hand-woven fabric travelled to London with the collection. I met lots of lovely people at the launch, and everybody loved my bench!

Bristol Cloth Design Competition

Sampling for Bristol Cloth competition design
Sampling for Bristol Cloth competition design

I have been short-listed for the Bristol Cloth Design Competition. My design was inspired by the large chains on the dockside in Bristol. The chain link design represents links in the community – links to the past, links between local producers e.g. the sheep farmers and dye maker who provided the raw materials for the competition.

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Lucinda Burgess’ ‘Inside Out’

The chains are rusted on the surface but beneath this the metal is strong, clean and shiny.

The finalists are now on display at Bristol 2015: Green Capital LabSpace on the Harbourside in Bristol until the end of September, for the public to vote for their favourite. If you are in the vicinity, please vote for me!

New Designers Show

Business Design Centre, Islington
Business Design Centre, Islington

I spent four days on the stand at New Designers Part 1 in June 2015. The quality and diversity of all the other universities was truly inspirational, however our stand was said to be one of the most eye-catching due to its large scale, dramatic coloured screen-printed designs.

My pieces displayed between Grace's hand-spun hanks and Sarah's printed fabric
My pieces displayed between Grace’s hand-spun hanks and Sarah’s printed fabric
Bath Spa University BA Textile Design course stand
Bath Spa University BA Textile Design course stand

New Designers Showcase 2015

I have been selected, along with 15 of my fellow graduates representing the BA in Textile Design at Bath Spa University, for the New Designers 2015 Showcase at the Business Design Centre, Islington, London. I will be in London for the event which runs from Tuesday 23rd through to Saturday evening.

Hand-woven sample in double cloth using Shetland wool
Hand-woven sample in double cloth using Shetland wool

The stand is a curated display and the pieces that have been chosen are my experimental double cloth flooring weight fabric woven from Shetland wool. The motif disintegrates or morphs gradually. On a floor runner, this could happen over a much longer length (in the style of M.C. Escher), which I think would be visually very exciting.